Sunday, March 1, 2026

Re-post: The Treason of the Intellectuals and Isengard

Given how long I have been doing this mostly humble blog, it feels wrong that I should post a great piece then we never see it again. So here is a re-post of one of my most popular (relatively speaking) posts:

British academic, critic and novelist Adam Roberts describes the Grimdark sub-genre as one "where nobody is honourable and Might is Right," and as "the standard way of referring to fantasies that turn their backs on the more uplifting, visions of idealized medievaliana, and instead stress how nasty, brutish, short and dark life back then 'really' was." He critically notes, however, that Grimdark has little to do with re-imagining an actual historic reality and more with conveying the sense that our own world is a "cynical, disillusioned, ultra-violent place." 

Of course, one who has read my opinion of GRRM the Anti-Tolkien already knows that I wholeheartedly agree with this. However, this post is not just another long rant regarding A Song of Ice and Fire but, rather, an attack on the cynicism that fuels it and which goes beyond George R.R. Martin. A cynicism which amounts to another concept known as the Treason of the Intellectuals, in which academics accept and espouse cynicism because in a nutshell they believe that Power and Politics will near-always emerge triumphant over morality. Hence the best, wisest, course of action is to embrace this truth and put forth one's intellectualism to working with thus shaping the policies of the Powerful until they resemble/accomplish the political agenda of the academics.

Permit me to offer a quote from the J.R.R. Tolkien's The Lord of the Rings:
"A new Power is rising. Against it the old allies and policies will not avail us at all. There is no hope left in Elves or dying Númenor. This then is one choice before you, before us. We may join with that Power. It would be wise, Gandalf. There is hope that way. Its victory is at hand; and there will be rich reward for those that aided it. As the Power grows, its proved friends will also grow; and the Wise, such as you and I, may with patience come at last to direct its courses, to control it. We can bide our time, we can keep our thoughts in our hearts, deploring maybe evils done by the way, but approving the high and ultimate purpose: Knowledge, Rule, Order; all the things that we have so far striven in vain to accomplish, hindered rather than helped by our weak or idle friends. There need not be, there would not be, any real change in our designs, only in our means."

Sound familiar? If not, then recall these words as the ones spoken by Saruman to Gandalf when trying to convince him to join him in an alliance with Sauron. What is striking, however, is how neatly the Treason of Isengard matches the description of the Treason of the Intellectuals. Saruman and Gandalf had been sent to Middle-earth with the purpose of overthrowing Sauron, something that Saruman clearly still intends to accomplish, except that rather than fighting Mordor he now means to become Sauron's ally so as slowly twist and replace him on his dark throne.
Naturally Saruman is an very extreme case, as it would be far from fair to call cynical intellectuals ambitious agents of clear evil. Yet the crux of the matter is that, like Saruman, those academics who engage in intellectual treason believe that fighting Power and Politics with human determination and basic morality is a fool's errand and thus join the other side if they see any hope in altering it from within to suit their visions. In short, it is the temptation to accommodate oneself to the nature of the times, as Niccolò Machiavelli would have put it, and to ally cautiously but definitely with the Power that is rather than the principles that were. Saruman's mad vision may have been to replace the Lord of Mordor as the tyrant of Middle-earth, but, as can be seen, when striped down to their essential organs there is very little separating Treason of Isengard from the Treason of the Intellectuals.

Which, to bring this post to a full circle, is one of many reasons why I am the Enemy of the Grimdark. Because A Song of Ice and Fire and the genre as the whole offers a cold and cynical view of humanity coupled with the apparent lesson that the honorable and compassionate usually end with their heads upon a stake. It teaches that treachery is profitable; that morals do not pay and are near powerless to effect the wider world.

"Our knowledge has made us cynical. Our cleverness, hard and unkind. We think too much and feel too little. More than machinery we need humanity. More than cleverness we need kindness and gentleness. Without these qualities, life will be violent and all will be lost." - Charlie Chaplin

"Cynicism masquerades as wisdom, but it is the farthest thing from it. Because cynics don’t learn anything. Because cynicism is a self-imposed blindness, a rejection of the world because we are afraid it will hurt us or disappoint us." - Stephen Colbert

The cynic is one who never sees a good quality in a man and never fails to see a bad one. He is the human owl, vigilant in darkness and blind to light, mousing for vermin, and never seeing noble game. The cynic puts all human actions into two classes — openly bad and secretly bad. - Henry Ward Beecher

"A cynic is not merely one who reads bitter lessons from the past; he is one who is prematurely disappointed in the future." - Sydney J. Harris

"The problems of the world cannot possibly be solved by skeptics or cynics whose horizons are limited by the obvious realities. We need men who can dream of things that never were...and ask why not." - John F. Kennedy

"Cynicism isn't smarter, it's only safer. There's nothing fluffy about optimism." - Jewel Kitcher

"The greater part of the truth is always hidden, in regions out of the reach of cynicism." - J. R. R. Tolkien

Saturday, February 21, 2026

My father and I just finished rereading The Bell at Sealey Head by Patricia A. McKillip

My father and I just finished rereading The Bell at Sealey Head by Patricia A. McKillip.

Definitely a different and more enriching experience in the reread, as this time we caught the names Nemos Moore and Queen Hydria much earlier on, thus able to more properly piece the tale together. For McKillip, ever a word-jeweler as opposed to wordsmith, makes you work for it – weaving this strange yet deeply grounded tale by the sea. One of a wicked sorcerer and a terrible cook, a bookish merchant's daughter and innkeeper's son, a set silly of snobbish siblings and an Aunt, a dying Lady and a maid who can open a broom closet and find a different house filled with knights and one Princess Ysabo. All connected by a bell that rings across worlds, calling for an ancient wrong to be righted.

Congratulations to Judd and Gwyneth, Ridley and Miranda, and excellent work to all the rest as well: Emma and Hesper Wood, Ysabo and Queen Hydria. You all showed that some stories, some book pages, can be all too real. 
Sweet water and light laughter till next we meet, my friends.

“The odd thing about people who had many books was how they always wanted more.” – Judd Cauley 

Wednesday, February 18, 2026

I have started Dragon God, Book One of Ava Richardson's First Dragon Rider Trilogy

I have started Dragon God, Book One of Ava Richardson's First Dragon Rider Trilogy.

Thus do I return to the Three Kingdoms, only in a time when Torvald is but a single Clan in the Middle Kingdom that would, centuries hence, bear its name. A era before the great Dragon Riders, the Princes always at odds and war dragging humanity down into a bloody abyss. The era of the Draconis Monks who lives with dragons, study power, have summoned the a child of all nobles to come and learn within their sacred monastery. Including one Neill Torvald, who will doubtless find himself enduring far more than the single attempted assassination thus far, to say nothing of whatever fell secrets lurk within the Draconis Order.

In Dayie's time the Dragon Riders are everything and the Draconis Monks all but gone. Perhaps this series will give me a clue as to why in addition to telling how the Dragon Riders of Torvald came to be. Point of order, the phrase Dragon God makes me very nervous. Dragons I love, but those who call themselves gods too... they tend to be a Dragon-sized problem.

Tuesday, February 17, 2026

FREE for a limited time

From today through February 19th the Kindle edition of my The Last War: Book One of the Dragonkin Legacy is FREE on Amazon.

“An enthralling epic teeming with valor, camaraderie, and searing battles.” – Kirkus Reviews 

“À la Ursula K. Le Guin’s Earthsea saga… Adler’s world-building is exceptional and the character development and dynamism is impressive.” – BlueInk Reviews

"Immediately readers are thrust into a world of magic, war, and visceral imagery...A story filled with twists and turns, epic world building full of history that feels ancient as the reader devours the book." – Pacific Book Review

Monday, February 16, 2026

Official Book Review: The Sapphire Heart by the Three Scribes, Book One of their The Erynvor Cycle

I have finished The Sapphire Heart by the Three Scribes – Sandra Mead Miller, Abigail Bender, & Victoria Hungria – Book One of their The Erynvor Cycle and, as the authors requested, now give it an Official Book Review.

Probably the most well-known literary adage is "do not judge a book by its cover," which is at once smart and foolish because everyone does. The cover literally being the point of first contact between book and prospective reader, giving that all-important first impression, which is why authors and publishers go to great lengths to make their covers as splendid and accurate as possible. In the The Sapphire Heart's case, one look at the cover gives an impression as a vast, Epic Fantasy world where every plant and animal has a distinctive name, a gloriously intricate and imaginative realm where an epic quest will unfurl to save it. A quest undertaken by a disparate yet destined band.

You know what? That would be an accurate first impression. So what makes Elorah's, the eleventh Erynvor, quest to restore Eolemar different from that of other Epic Fantasies of the classic tradition? The world-building and the fact that Elorah and crew are not facing down a Dark Lord but rather trying to resurrect the great Founding Dragons (did the cover give that away?) so as to restore their dying land. Swords are useful at times, but tis difficult to force better harvests with them and they help even less when your prime foes stalks the dream-realm of Oru Fen. The Wycche and Venge will suck the restful right out of your sleep and the vitality from your life without compassion or compunction – for she serves the Self rather than the All.

I will not lie: this book is heavy both physically and mentally. But those who, like me, enjoy inhaling a thousand names (not literally) and many characters will find themselves right at home.

 

(P.S. If you, dear reader, are an author/publisher and reading this review makes you want to ask me for a review too then PLEASE read my Contact Me? page.)

Saturday, February 14, 2026

The Red String of Fate: A Valentine's Day toast to Romantasy

"I have lived on the borders, my real face unseen, 
but where I go now has no boundary but dreams. 
Walk with me, walk with me out of this night, 
for you are my love, and you are my light." 
– Victoria Hanley's Dreamwen song

I have never been much of a Valentine's Day person (the last and only time I marked in on Stars Uncounted was six years ago), but it recently occurred to me that no better day exists to pay special tribute to the new and hyper-popular Romantasy genre. Or rather, the term "Romantasy" and its hyper-popularity is new; not the genre itself as Romantic Fantasy has been around forever. As I recently wrote in my Where Fantasy literature stands: the Rise of Romantasy and Asian-inspired Fantasy post:

"Seemingly overnight between 2022 to now, the Grimdark has been overthrown by the almost simultaneous rise of Romantasy and Asian-inspired Fantasy. What is Romantasy? A new word that, in brief summation, is the fusion of Romance and Fantasy which gives each equal importance. Yes, yes, yes, all the best Fantasies usually have a strong romantic subplot, yet in Romantasy there is nothing sub about the romance. These are tales where slow-burn love stories unfold alongside a sweeping Epic Fantasy adventure, each no less critical than and in fact complimenting the other. A harmonious wedding of high-stakes fantasy world-building with compelling romance plotlines. A subgenre that is as likely to have LGBTQIA+ protagonists as otherwise, which is called Queer Romantasy.

Then there is Asian-inspired Fantasy. Back in 2017 I said that "the lore of Eastern cultures remains a largely untapped goldmine within the Fantasy genre. A goldmine that, when used, tends to immense popularity." No longer is that mine untapped. Oh no. From Tasha Suri's Burning Kingdoms trilogy to the Song of the Last Kingdom by Amélie Wen Zhao, to Axie Oh's The Girl Who Fell Beneath the Sea to Daughter of the Moon Goddess by Sue Lynn Tan, to Grace Lin's Where the Mountain Meets the Moon, to Elizabeth Lim's Spin the Dawn and Six Crimson Cranes and truly countless others, Asian-inspired Fantasy has uncoiled like the Azure Dragon of the East – wrapping Fantasy literature in its shinning and unique scales.

"Yin and yang. Good and evil. Great and terrible. Two sides of the same coin, Lián'ér, and somewhere in the center of it all lies power. The solution is to find the balance between them." - Dé’zì, grandmaster of School of the White Pines.

And then there is when the two meet in Asian-inspired Romantasy, which in some ways seems to be more prevalent than either of the other two. Indeed, now when I go to bookstores the shelves are packed with Romantasy and Asian-inspired Fantasy, thus making these two the unquestionable current co-monarchs of the Fantasy genre. Is Grimdark gone? Hardly. But its stranglehold is broken and I like to think that the Rise of Romantasy and Asian-inspired Fantasy was and remains a direct reaction against its dark cynicism and naked brutality. For in an unsettled world, they offers readers a powerful form of escapism to alternate universes where magic exists and love can conquer all. 

Of course, like I said, Romantic Fantasy has been around forever and some publishers used to – and maybe some still do for all I know – distinguish between Romantic Fantasy where the fantasy elements is most important and Fantasy Romance where the romance are most important, while others said that the line between the two has essentially ceased to exist or, if it remained, is in constant flux. Obviously the Rise of Romantasy has made these terms somewhat outdated is not obsolete.

Still, now that the history and terminology is out of the way, I thought Valentine's Day would be a perfect time to list all the Romantasy I have ever read, keeping in mind that many of these were published decades before the Rise of Romantasy and exist somewhere between the old Romantic Fantasy and Fantasy Romance definitions, and some might not even have been classified as either at the time but which I judge fit the bill (i.e. have enough romance to be mentioned) here.

  • Graceling Realms by Kristin Cashore
  • The Twelve Houses series by Sharon Shinn
  • Healer and Seer series by Victoria Hanley
  • The Changeling Sea by Patricia A. McKillip
  • These Witches Don't Burn by Isabel Sterling 
  • The Novels of Tiger and Del by Jennifer Roberson
  • The Novels of the Nine Kingdoms by Lynn Kurland 
  • The Girl Who Fell Beneath the Sea by Axie Oh
  • Song of the Last Kingdom by Amélie Wen Zhao

“And the Old Matchmaker of the Moon said to the lovers, 'This red thread I bestow upon you. It may stretch and it may tangle, but it will never break. Across cycles and worlds and lifetimes, your souls are now destined.” – Amélie Wen Zhao

On that note, and despite the above quote, I am particularly grateful to The Girl Who Fell Beneath the Sea as it was the book that taught me the awesome (in the old sense of the word) story potential of the Red String/Thread of Fate. What is it? An ancient East Asian belief rooted in Chinese and Japanese folklore that an invisible red cord connects those destined to meet and become soulmates. Not that they are destined to have a happy ending, but I fell in love with the concept as a new way to incorporate prophesy and destiny into Fantasy. Fans of Robert Jordan's The Wheel of Time are surely thinking of Birgitte Silverbow and Gaidal Cain, linked souls reborn across countless Ages who are born with different names yet always follow the same pattern: hate at first sight, comrades in arms, falling in love, killed before they can settle down (usually) but living on as heroes of a hundred and more legends. A perfect example, for the Wheel weaves as it wills, its threads connecting the Pattern across the Tapestry of Ages.

"Love supplies a kind of strength that can withstand even death." – Terry Brooks 

Beyond that, well, I could wax poetic about the role of love in Fantasy literature endless, a fact my LGBTQIA+ in Fantasy and Final Lesson pages prove, I think. So I will end it there. Happy Valentine's Day!

"Being deeply loved gives you strength; loving deeply gives you courage." – Lao Tzu