Sunday, November 2, 2025

I have finished The Legion of Flame, book two of Anthony Ryan's The Draconis Memoria trilogy

I have finished The Legion of Flame, book two of Anthony Ryan's The Draconis Memoria trilogy.

Revolution in Empire. Invasion of Protectorate. Both successful, as the world as it was ends amid a desperate hunt for lost technology and knowledge that could be the key to saving humanity from the true enemy: the White Drake. A hunt ranging from a prison city to a lost land built by ancient science whose leader, I think, could have learned a thing or two from Victor Frankenstein's sad tale. A hunt that, for all that the butcher's bill numbers in the hundreds of thousand with the war just starting, was also successful. Better still, the White's control is not quite as all-powerful as it thinks – for small acts of fear-cloaked rebellion will hopefully set the seeds for revolution of a different kind – and Blue heart's blood is about to be field-tested.

Saturday, November 1, 2025

Where Fantasy literature stands: the Rise of Romantasy and Asian-inspired Fantasy

"No eye can see the pattern until it is woven." - Moiraine Aes Sedai 

I have written extensively on the History (& Golden Age) of Fantasy as well as my opinion of George R. R. Martin's A Song of Ice and Fire and the Grimdark Fantasy sub-genre it founded. I have written on how Fantasy literature has for decades fought cross-eyed monster that is sexism, the first blow dealt by Éowyn, White Lady of Rohan, and that we need for female Gandalf-figures to successfully slay it. I have written about Race in Fantasy, how real-world racial stereotypes do not exist in Fantasy literature and yet characters in Fantasy literature tend to be White (Caucasian) while the worlds they inhabit are at least partially rooted in European culture. I have written about LGBTQ+ & Autism in Fantasy, how when I go to a bookstore, pick a book and begin reading it, I should find gay or lesbian romance between characters no less often than heterosexual ones and no more remarked upon or played up. I have written about a lot and am not shy about giving my opinion, yet being historian-trained means I known that history does not stand still. As said Robert Jordan, the "Wheel of Time turns and Ages come and pass". So I ask myself, where does Fantasy now stand? How is the genre shaping and changing as the years go by? That is the question I will now attempt to answer.

I ended my the History (& Golden Age) of Fantasy page noting how said Golden Age began with J.K. Rowling's Harry Potter series, a global phenomenon that equal to that of J.R.R. Tolkien's The Lord of the Rings: forging generations of readers and pushing genre forever into the canon of Great Literature. A process aided by the international popularity of other works such as Christopher Paolini's Inheritance Cycle and John Flanagan's Ranger's Apprentice.

Winterfell
Then, for all that the first book was published in 1996, A Song of Ice and Fire by George R. R. Martin broke into the scene. A work as stunningly original as it was skillfully written, it paved the way for a new type of Fantasy perfectly characterized by GRRM's Cersei Lannister: "When you play the game of thrones, you win or you die. There is no middle ground." A subgenre of Fantasy soon named the Grimdark which Tor Fantasy reviewer Liz Bourke characterizes as "a retreat into the valorization of darkness for darkness's sake, into a kind of nihilism that portrays right action (...) as either impossible or futile". This, according to her, has the effect of absolving the protagonists as well as the reader from moral responsibility. Finally, British journalist Damien Walter wrote in The Guardian his own view of GRRM’s Grimdark brand of Fantasy: "bigger swords, more fighting, bloodier blood, more fighting, axes, more fighting," and, he surmised, a "commercial imperative to win adolescent male readers." He sees this trend as being in opposition to "a truly epic and more emotionally nuanced kind of fantasy" that delivered storytelling instead of only blood and porn. In this I also utterly agree, for Fantasy literature is not supposed to revolve around the concept of constantly dodging death. Granted that, in Grimdark books, the possibility of character deaths in far greater and thus the suspense is higher. Mark Lawrence, author of the The Broken Empire Trilogy, attributes his own inspiration from George R. R. Martin. “I was impressed by how ruthless he was with characters we were invested in and how exciting that made reading the series,” Lawrence states. “Because you never felt safe and never knew for sure that things would work out in the end. It felt real and powerful.”  

Powerful indeed, enough that, for a time, it seemed to take over the genre, A Song of Ice and Fire – aided by its HBO Game of Thrones show adaptation – seeming to match the global popularity of The Lord of the Rings and Harry Potter. And, like Tolkien, GRRM's work spawned a host of authors who followed his example: Mark Lawrence's Prince of Thorns trilogy, Stephen R. Donaldson's Lord Foul's Bane, Anna Smith Spark's The Court of Broken Knives, and the works of Joe Abercrombie and so many others. A subgenre perfectly described as Fantasy author Genevieve Valentine, who called Grimdark a "shorthand for a subgenre of fantasy fiction that claims to trade on the psychology of those sword-toting heroes, and the dark realism behind all those kingdom politics." Valid considering how court/political intrigue is the beating heart of the Grimdark. More to the point, however, its popularity soared. Filling bookstore shelves at so stunning a rate, and staying there, that for a while it seemed unconquerable. Though it should be noted that, given its inherently gritty nature, the Grimdark never crossed over into Middle Grade Fantasy – staying firmly on the YA and Adult shelves.

This lasted a long time, and I would compare the struggle between High and Grimdark Fantasy to the 19th century one between  Transcendentalism and Dark Romanticism. The former being belief that people and nature are inherently good, while the latter emerged as both the inverse of and reaction against Transcendentalism – questioning the inherent goodness of humankind and focusing on the less-noble aspects of humanity such as sorrow, sin, insanity, guilt, corruption, and madness. Not unlike how the Grimdark was a reaction against the Tolkieneque/Rowling approach.

Then, after many years, a shift occurred – one partly owed to an unsettled world and the fact that GRRM's A Song of Ice and Fire remains floundering and unfinished while end of the HBO version left a soar taste on many mouths.

Until seemingly overnight between 2022 to now, the Grimdark has been overthrown by the almost simultaneous rise of Romantasy and Asian-inspired Fantasy.

What is Romantasy? A new word that, in brief summation, is the fusion of Romance and Fantasy which gives each equal importance. Yes, yes, yes, all the best Fantasies usually have a strong romantic subplot, yet in Romantasy there is nothing sub about the romance. These are tales where slow-burn love stories unfold alongside a sweeping Epic Fantasy adventure, each no less critical than and in fact complimenting the other. A harmonious wedding of high-stakes fantasy world-building with compelling romance plotlines. A subgenre that is as likely to have LGBTQIA+ protagonists as otherwise, which is called Queer Romantasy.

Then there is Asian-inspired Fantasy. Back in 2017 I said that "the lore of Eastern cultures remains a largely untapped goldmine within the Fantasy genre. A goldmine that, when used, tends to immense popularity." No longer is that mine untapped. Oh no. From Tasha Suri's Burning Kingdoms trilogy to the Song of the Last Kingdom by Amélie Wen Zhao, to Axie Oh's The Girl Who Fell Beneath the Sea to Daughter of the Moon Goddess by Sue Lynn Tan, to Grace Lin's Where the Mountain Meets the Moon, to Elizabeth Lim's Spin the Dawn and Six Crimson Cranes and truly countless others, Asian-inspired Fantasy has uncoiled like the Azure Dragon of the East – wrapping Fantasy literature in its shinning and unique scales.

"Yin and yang. Good and evil. Great and terrible. Two sides of the same coin, Lián'ér, and somewhere in the center of it all lies power. The solution is to find the balance between them." - Dé’zì, grandmaster of School of the White Pines.

And then there is when the two meet in Asian-inspired Romantasy, which in some ways seems to be more prevalent than either of the other two. Indeed, now when I go to bookstores the shelves are packed with Romantasy and Asian-inspired Fantasy, thus making these two the unquestionable current co-monarchs of the Fantasy genre. Is Grimdark gone? Hardly. But its stranglehold is broken and I like to think that the Rise of Romantasy and Asian-inspired Fantasy was and remains a direct reaction against its dark cynicism and naked brutality. For in an unsettled world, they offers readers a powerful form of escapism to alternate universes where magic exists and love can conquer all.

Which shows that, for all the Fantasy genre is changing, it still remains loyal to the ideals of its founder:

“The world is indeed full of peril, and in it there are many dark places; but still there is much that is fair, and though in all lands love is now mingled with grief, it grows perhaps the greater.” – J.R.R. Tolkien

"I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which “Escape” is now so often used: a tone for which the uses of the word outside literary criticism give no warrant at all. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if, when he cannot do so, he thinks and talks about other topics than jailers and prison-walls? The world outside has not become less real because the prisoner cannot see it. In using escape in this way the critics have chosen the wrong word, and, what is more, they are confusing, not always by sincere error, the Escape of the Prisoner with the Flight of the Deserter." – J.R.R. Tolkien

And of course, the works of Tolkien, Brandon Sanderson, Robert Jordan, Ursula K. Le Guin and many of the old guard remain on shelves and popular.

Wednesday, October 29, 2025

Official Guest Post: "Could these fantasy creatures have been real?" by Vanessa Finaughty

An Official Guest Post by multi-genre author Vanessa FinaughtyWelcome to Day 4 of the Wizard of Ends virtual book tour!

 

Could these fantasy creatures have been real?

It’s easy to imagine some fantasy creatures having once been real, because they look so similar to real animals. For example, the mythical unicorn is merely a horse with a horn. This is not so hard to imagine, because horses are real and there are real animals that have a single horn, such as rhinos and narwhals. The stranger ones, especially hybrids such as the griffon or centaur, are harder to believe. However, many real animals, such as the platypus, giant squid and kangaroo, were once thought too fantastical to be real – that is, until solid evidence was discovered.


Today, we’ll briefly look at whether or not the unicorn, centaur, griffon and cyclops could be real, now-extinct animals/beings.


Unicorn


Unicorns are portrayed as white horses or goat-like animals with a single spiralled horn protruding from the forehead, and are associated with magic, which is usually said to be in the horn. Unicorns are typically depicted as innocent and pure, symbolising courage and strength, although older texts depict them as quite vicious creatures that could take down a lion. The belief in unicorns seems to have originated in Europe and Asia, except the Asian unicorns were said to have a deer’s body, a horse’s legs, a cow’s hooves and tail, and a horn.


Explorers of the 16th and 17th centuries actively looked for evidence of unicorns. While none was actually found, many sailors did come back from their travels with spiralled narwhal horns that they claimed to be unicorn horns (and sold to the unsuspecting public), and this served as ‘evidence’ to the general public for quite some time – until the existence of narwhals became widely known. The descriptions of unicorns might have been based on real animals such as the rhinoceros (which is actually a distant relative of the horse) – e.g. the extinct woolly rhino and the extinct Siberian unicorn (ancient rhino). It could even be from some other horned animal seen from the side (where its two horns might appear as one).


I think that unicorns were real creatures that were not properly described. For example, the Roman writer, Pliny the Elder, described the rhinoceros as having ‘the head of a stag, the feet of an elephant, and the tail of a boar ... it has a single black horn which projects from the middle of its forehead’. The Greek physician, Ctesias, described what he called the ‘Indian ass’ as being a ‘four-legged beast’ that had one long horn ‘with healing properties’. The Italian explorer, Marco Polo, described unicorns as: “They have a single large, black horn in the middle of the forehead … They spend their time by preference wallowing in mud and slime. They are very ugly brutes to look at.”


Now consider that most modern rhinos are reasonably solitary animals that tend to steer clear of humans, which fits with unicorns being known as elusive. Add the fact that, even today, traditional African and Chinese medicine practitioners believe in rhino horn’s medicinal properties…


Centaur


Centaurs are half-horse, half-human creatures of Greek mythology. Early depictions showed them as humans with a horse’s body and hind legs connected to the back, while later art portrayed them as horses with the torso and head of a man. Regardless, they were said to be rather savage.


There’s no fossil evidence of such a hybrid existing, but we do have some accounts of centaurs, starting in around AD 41–54, when it’s said that officials from Arabia captured one of a herd of centaurs in the remote mountain wilderness of Saune and gifted it to an Egyptian emperor. It’s said that the creature died due to being out of its natural habitat. Accounts then claim that it was embalmed in honey and exhibited in the emperor’s palace for about a century (through the rule of nine other emperors). This creature was described by many in numerous ancient texts. There were even some claims in Ancient Greece that centaurs were born from normal mares – sort of like a genetic anomaly.


We know hybrid animals are indeed possible, such as the liger (lion-tiger hybrid), the zebroid (zebra and another equine) and many others alive in today’s world. However, these real hybrids generally don’t take on the head of one animal and body of another, for example. Rather, they have the body of one and some features of another. For example, the liger looks like a lion and has a tiger’s stripes, and the zebroid has the stripes of a zebra and the body of the equine with which it is crossed.


Unless we discover some evidence of ancient genetic engineering on a super-advanced level, I think centaurs were probably misidentified horsemen – seen from a distance, it’s possible it appeared as if the horses had men’s torsos and heads. Still, even that theory falls a bit flat to me. As for the accounts of them, perhaps they were faked to gain publicity in the ancient world, such as this centaur fossil faked by Bill Willers.


Griffin


The griffon is said to have the head and wings of an eagle, and the body, hind legs and tail of a lion. They are often depicted as guardians of treasure, and symbolise strength and power. Tales of the griffon come from all over the ancient world, including North Africa, Egypt, Greece, Finland, Persia and all over Europe.


Some believe that the belief in griffons stemmed from ancient discoveries of protoceratops fossils. The protoceratops had a beak-like jaw and was smaller than a lion. Although the protoceratops did not have wings, proponents of this theory believe that its bony frill or long shoulder blades might have been mistaken for wings (easy to believe when people of the time thought that anything with a beak must be a bird). It’s theorised that perhaps ancient nomads came across protoceratops fossils while prospecting for gold. However, depending on whom you ask, the timing and location of fossil finds might or might not be off. The main problem I have with this theory is the idea of a bunch of nomads noticing a small part of a fossil sticking out of the soil, recognising it as something interesting and then going to all the effort of excavating the full fossil. Even with modern tools, this type of excavation is a huge task.


Interestingly, although some ancient peoples fobbed off ostrich eggs as griffon eggs, there are no accounts of anyone in the ancient world having seen a living griffon. It’s possible that griffons were the invention of an imaginative mind, with the legend designed to deter would-be thieves from robbing the elite’s coffers. 


Cyclops


Described as one-eyed giants, the cyclops first appeared in Ancient Greek mythology. They were described as savage cannibals who lived in caves in a lawless faraway land and survived by herding goats and sheep. The cyclops appeared in many Ancient Greek, Roman and Babylonian texts and art, among others, with the Odysseus story featuring often. The Ancient Greek poet, Homer, also doesn’t refer to all cyclopes as having one eye.


Is it possible that a race of one-eyed giants once existed? There are indeed cases of gigantism – humans born with hormonal disorders that render them ‘giants’. However, this is extremely rare and it’s highly unlikely that so many of them would be born close enough together that they could form an entire community. There is also a condition called cyclopia, which is also an extremely rare disorder in which the two eye cavities form as one cavity or form very close together – but babies born with this disorder don’t usually survive more than a few hours after birth (and are usually stillborn), because the brain also does not develop normally. Thus, I think it’s improbable that either of these disorders are any type of proof of the existence of a race of one-eyed giants.


It could be that ancient peoples found the skull of a Deinotherium giganteum, which is a distant relative of the modern elephant. This huge animal had a large nasal opening in the centre of its skull that some speculate might have been misinterpreted as an eye socket. Personally, I don’t see it, because the skull looks nothing like a human skull.


I think the most likely explanation is that someone in the ancient world saw a person with a genetic disorder and assumed that there were a whole race of people just like that.


What do you think? Could any of these creatures have actually existed once upon a time?

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Want to see your own writing published online? I am listening. In short, I have gotten some emails addressed to "the Stars Uncounted team" asking about Content Writing and I respond by saying that the team consists of me, myself, and I, and that all one of us is willing to post your content. The only rule is that such a Guest Post would have to be within the context of the blog – meaning that it must relate to the Fantasy genre or be about self-publishing Fantasy. If you are interested, feel free to send me one for approval.

Just remember that any and all Guest Posts must adhere to the high moral spirit of my mostly humble blog. This does not mean that I have to agree with everything you say; it merely must be well-written and thought-out.

Monday, October 27, 2025

FREE for a limited time

From today through Halloween (10/31) my the Kindle edition of my The Dragonkin Legacy Omnibus: The Last War & Dragon Guardians is FREE on Amazon.

“The worldbuilding is superb...[and] the characters are just as memorable...an enthralling epic teeming with valor, camaraderie, and searing battles.” – Kirkus Reviews

“À la Ursula K. Le Guin’s Earthsea saga… Adler’s world-building is exceptional and the character development and dynamism is impressive.”
– BlueInk Reviews

"Immediately readers are thrust into a world of magic, war, and visceral imagery...A story filled with twists and turns, epic world building full of history that feels ancient as the reader devours the book, and a memorable prose in the author’s writing style that really makes the reader feel rooted in the world made this blend of politics, war, and fantasy a must-read." – Pacific Book Review

Wednesday, October 22, 2025

Quote of the month

"We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become." — Ursula K. Le Guin 

Tuesday, October 21, 2025

Official Guest Post: 30 AI image writing prompts for fantasy writers by Vanessa Finaughty

An Official Guest Post by multi-genre author Vanessa Finaughty as part of her Wizard of Ends virtual book tour! One which excellently and elegantly compliments my own AI's impact on Fantasy Art & Writing page.

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Morning everyone! I’m pleased to share 30 AI-generated image writing prompts today, generated with Night Café. If you’re a fantasy author, I hope you find these useful in times of writer’s block, and I hope authors and readers alike see fit to have a little fun with the prompts just because – even if you don’t have writer’s block, it can be a nice, fun ‘brain break’ to write something based on a picture.

If you write anything inspired by these prompts, I’d love to showcase it on my blog!

        

    

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Want to see your own writing published online? I am listening. In short, I have gotten some emails addressed to "the Stars Uncounted team" asking about Content Writing and I respond by saying that the team consists of me, myself, and I, and that all one of us is willing to post your content. The only rule is that such a Guest Post would have to be within the context of the blog – meaning that it must relate to the Fantasy genre or be about self-publishing Fantasy. If you are interested, feel free to send me one for approval.

Just remember that any and all Guest Posts must adhere to the high moral spirit of my mostly humble blog. This does not mean that I have to agree with everything you say; it merely must be well-written and thought-out.